Molieres Tartuffe Essay -- essays research papers

The Theme of Molieres Tartuffe Reason vs. PassionJean-Baptitste Poquelin Molieres Tartuffe, is undoubtedly a satirical comedy. In Molieres description of a satire, he was very direct as to the function and objectives of one are. The function is to correct mens vices, using satire to derision them and expose them to public laughter (Moliere, p.14). Although this satire is making fun of many a(prenominal) things in the church and organized religion, which is not the alone objective Moliere had in mind. Tartuffe has many themes that reoccur through out the play. The time period, in which this play was written, was known as the Age of Reason. One of the main ideas and attitudes during this time was, effort must always work passion. Due to this attitude, one theme that constantly appears through the play, is the battle between resolve and passion. In Act II, Scene 4, one of the major conflicts between reason and passion is played out. Valere confronts Mariane with the rumors he has heard about her marrying Tartuffe. Throughout this entire confrontation, they are letting their passions stop them from getting what they truly want, which is each other. Finally, Dorine brings about the reason that is needed in their situation. In lines 69-71, Dorine states, If you ask me, both of you are as mad as mad can be. Do stop this nonsense, now. Ive only let you squabble so long to see where it would get you. Their passion is so strong Valere and Mariane are blind to what the other is want...

George Frideric Handel, the Famous Composer Essay -- Biography Biograp

George Frideric Handel, the Famous Composer George Frideric Handel was born in Halle, Germany, on February 23,1685. He died in London on April 14,1759 and was buried in WestministerAbbey. Handel was one of the famous composers of the Baroque Period. Thisgreat composer was mostly known very well for his English Oratorio,particularly the Messiah. His trouble in his operas that he made liedwithin his uncertain temper and uncertain lack of tact. Handel first learned how to play from an instrument called a clavichord.This was like a root of the piano. With the help of one of Handelsfriend, they smuggled the instrument up to his attic in his house. Everynight he would sneak up to the attic after everyone was dozy and hedplay it until he finally mastered it. The instrument could not be heardthrough the closed doors. When he was about twelve, he went to Berlin tostudy and bandage there he became well-known for playing the Harpsichord.Handels parents wanted Handel to grow up in the profession of law, butmusic was in Handels blood. When Han...

The Jubilee Singers of Fisk University :: American History Essays

The Jubilee Singers of Fisk UniversityFrom the mid-1800s, or so black institutions of higher education fielded a group of jubilee singers and/or a vocal quartet to sing spirituals. These groups toured the nation and delineated the institution outside the local community. One of the earliest and most famous of these groups were the Jubilee Singers from Fisk University. According to Ray Funk, in his essay accompanying the Document compilation earliest NEGRO VOCAL QUARTETS, there is only one record from the 1890s extant of an African-American vocal group, the Standard Quartette. While this Fisk group was active in the l890s, it continued on throughout the course of instructions, of course with some different members each year and a complete turnover of members within each four years. For the most part, the singers were students at Fisk. I dont think you are going to find anything recorded originally before 1900, but for some modern recordings of the Fisk Jubilee Singers you should look for a 1994 Smithsonian/Folkways recording called African American Spirituals The Concert Tradition SF40072 At a time when most black music was being performed by white minstrel musicians in blackface and vulgar caricature, a small group of exceptionally well-trained and talented black singers at Fisk University in Nashville achieved world-wide renown for their stirring and very professional accomplishment of traditional black spirituals.Originally, the group was composed of two quartets and a pianist, a woman named Wells, under the direction of the University musical director, George L. White. In 1871 this small group fit out out to raise money for the struggling little university (founded in 1866). Over the next decade they had toured most of the northern states, had performed at the White House, toured England and much of atomic number 63 and had played for Queen Victoria.The group was given its name by director White. In Old Testament history, each fiftieth Pentecost was followed by a year of jubilee - a year in which Hebrew law required that all slaves be set free. Organized in 1871, in the dark shadow of slavery, the Jubilee Singers seemed a most appropriate name. Most of the students at Fisk had been former slaves.In terms of musical history, the primary significance of the Jubilee Singers is that they introduced to the world for the first time a superb body of folk music -- slave songs, spirituals -- which celebrated life, survival, victory.

Essay --

IntroductionWe are experiencing unprecedented rates of biodiversity loss. 60% of the ecosystem services (such as freshwater, fisheries, pollination and mode regulation) which biodiversity underpins are either degraded or in decline. Predictions are that this trend will worsen. It is clear that it has severe economic implications, not only for society besides also for trade as most industries depend on ecosystem services to function. The pharmaceutical sector is both dependent on and impacts on biodiversity and ecosystem services or BES. Approximately 25% to 50% of the pharmaceutical market is derived from active ingredients from nature. The sectors dependence on the BES stems from the use of active ingredients from nature in medicate discovery and manufacture, the use of water and a reliance on inert raw materials such as fish oils, soya and palm oil in drug manufacturer. Impacts include water pollution from drug manufacturing and use, overexploitation of active ingredients from nature that cant readily be synthesized and use of inert ingredients linked with environmental degradation.For the pharmaceutical sector, this may pose reputational, operational, regulatory and market risks as well as new opportunities linked to new drug discovery. Pharmaceutical patience investors may also face reputational and financial risks if the companies in which they invest do not adequately manage their own BES risks.All companies reviewed have started to consider the business implications of declining BES. However, none are managing the BES in a comprehensive manner. The focus of corporate activity has been on understanding site-level impacts on biodiversity such as risks associated with potential impacts on protected areas or water consump... ...e to determine company risk exposure in relation to BES. Lack of information on how companies are managing their risks and opportunities leads to decreased investor confidence. Companies should be encouraged to disclose more in formation on volume, nature and provenance of raw materials sourced, the outcomes of products and issue risk assessments and the activities underway to address them, if that assessment shows them to be material. Referenceshttp//www.deadiversion.usdoj.gov/drug_disposal/index.html read///C/Users/De/Desktop/Media_release_-_pharmaceutical_companies_face_biodiversity_risk.pdfhttp//www.naturalvalueinitiative.org/content/010/102.phphttp//www.cefic.org/Documents/IndustrySupport/RC%20tools%20for%20SMEs/Document%20Tool%20Box/Biodiversity-and-Ecosystem-services_What-are-they-all-about.pdfBiodiversity and Human Health By Jensa Bell

The Issue of Race in Othello Essay -- Othello essays

The Issue of Race in Othello In his production of Othello for BBC television (1981), Jonathan Miller asserted that Othellos race does not greatly impact his downfall in the play. He maintains that while Shakespe be touches upon the issue of race, the cause of Othellos demise lies elsewhere.1 However, the implications of race in the play directly lead to its tragic shutdown it is this issue that impels the characters to set the tragedy in motion. Brabantio would never revolt against the union of Othello and Desdemona if it were not for Othellos blackness. Roderigo could never be motivated to pursue Desdemona were it not for his belief that their family is unnatural. By far the most significant racism is Othellos own, racism that Iago brings to the surface by playing upon Othellos racial insecurities. Finally, it is racism that serves as Iagos primary cause in his destruction of Othello. Brabantio is very selective about suitors for Desdemona, as is evident from his vocal condemnat ion of Roderigo. After learning it is Roderigo lurking about his window, Brabantio tells him, The worser welcome / ... In honest perspicuousness thou hast heard me say / My daughter is not for thee (1.1.92-95).2 Although Roderigo is a wealthy native Venetian, in Brabantios eyes he is not worthy of Desdemona. Despite these set standards, it would seem that Othello could win Brabantios approval he holds a lucrative and prestigious position as the general of the army, he is born of a noble background, and he has the respect of the State. In addition, Brabantio has an affinity for Othello, as he explains, he loved Othello oft invited him / Still questioned him the story of his life (1.3.128-29). There is no ... ...his possibility and fights it. Through resisting the stereotypes, as opposed to acknowledging and accepting that they exist, Othello increases his internal conflict. Had he the necessary strength and faith in himself, the conflict could not have arisen for when there is no resistance, the struggle ceases. sort of than label Othello as a racist or anti-racist play, it is more significant to see how, from a racial standpoint, the tragedy demonstrates the explosive effects that racial randomness can produce when combined with other personal insecurities. Notes 1. Jonathan Miller, television interview, BBC, 1981. Quoted by Sylvan Barnet, Othello on Stage and Screen, in Alvin Kernan, ed., Othello, Signet Classic Edition (New York Penguin, 1998) 230. 2. All references to Othello are from the Signet Classic Edition (New York Penguin, 1998).

The Issue of Race in Othello Essay -- Othello essays

The Issue of Race in Othello In his production of Othello for BBC television (1981), Jonathan miller asserted that Othellos race does not greatly impact his downfall in the tend. He maintains that while Shakespeare touches upon the issue of race, the cause of Othellos demise lies elsewhere.1 However, the implications of race in the play directly lead to its tragic ending it is this issue that impels the characters to set the calamity in motion. Brabantio would never revolt against the union of Othello and Desdemona if it were not for Othellos blackness. Roderigo could never be propel to pursue Desdemona were it not for his belief that their relationship is unnatural. By far the most significant racialism is Othellos own, racism that Iago brings to the surface by playing upon Othellos racial insecurities. Finally, it is racism that serves as Iagos primary cause in his destruction of Othello. Brabantio is very selective active suitors for Desdemona, as is evident from his vocal condemnation of Roderigo. After learning it is Roderigo lurking about his window, Brabantio tells him, The worser welcome / ... In honest plainness thou hast heard me say / My daughter is not for thee (1.1.92-95).2 Although Roderigo is a wealthy native Venetian, in Brabantios eyes he is not worthy of Desdemona. Despite these strict standards, it would seem that Othello could win Brabantios approval he holds a lucrative and prestigious position as the general of the army, he is born of a noble background, and he has the respect of the State. In addition, Brabantio has an affinity for Othello, as he explains, he loved Othello oft invited him / Still questioned him the story of his life (1.3.128-29). on that point is no ... ...his possibility and fights it. Through resisting the stereotypes, as opposed to acknowledging and accepting that they exist, Othello increases his internal conflict. Had he the necessary strength and faith in himself, the conflict could not urinate arisen for when there is no resistance, the struggle ceases. Rather than label Othello as a racist or anti-racist play, it is more significant to see how, from a racial standpoint, the tragedy demonstrates the explosive effects that racial dissonance can produce when combined with other personal insecurities. Notes 1. Jonathan Miller, television interview, BBC, 1981. Quoted by Sylvan Barnet, Othello on Stage and Screen, in Alvin Kernan, ed., Othello, Signet Classic Edition (New York Penguin, 1998) 230. 2. All references to Othello are from the Signet Classic Edition (New York Penguin, 1998).